I go to concert, party, ball - |
What profit is in these? |
I sit alone against the wall |
And strive to look at ease. |
The incense that is mine by right |
They burn before Her shrine; |
And that’s because I’m seventeen |
And she is forty-nine. |
|
I cannot check my girlish blush, |
My colour comes and goes. |
I redden to my finger-tips, |
And sometimes to my nose. |
But She is white where white should be, |
And red where red should shine. |
The blush that flies at seventeen |
Is fixed at forty-nine. |
|
I wish I had her constant cheek: |
I wish that I could sing |
All sorts of funny little songs, |
Not quite the proper thing. |
I’m very gauche and very shy, |
Her jokes aren’t in my line; |
And, worst of all, I’m seventeen |
While She is forty-nine. |
|
The young men come, the young men go, |
|
She's older than their mothers, but |
They grovel at Her feet. |
They walk beside Her ’rickshaw-wheels - |
None ever walk by mine; |
And that's because I’m seventeen |
And She is forty-nine. |
|
She rides with half a dozen men |
(She calls them «boys» and «mashes»), |
I trot along the Mall alone; |
My prettiest frocks and sashes |
Don't help to fill my programme-card, |
And vainly I repine |
From ten to two a. m. Ah me! |
Would I were forty-nine. |
|
She calls me «darling», «pet», and «dear», |
And «sweet retiring maid.» |
I'm always at the back, I know - |
She puts me in the shade. |
She introduces me to men - |
«Cast» lovers, I opine; |
For sixty takes to seventeen, |
Nineteen to forty-nine. |
|
But even She must older grow |
And end Her dancing days, |
She can’t go on for ever so |
At concerts, balls, and plays. |
|
|
Just think, that She’ll be eighty-one |
When I am forty-nine! |